Wednesday, November 26, 2008

Inter-viewings

My interview with Keith Montesano is now up at the first-book-interview blog. Thanks, Keith.

Also, big congrats to Stephanie Balzer for winning the Mary Ann Campau Memorial Fellowship from the University of Arizona Poetry Center. As part of her award, Stephanie receives $1000 and will read at the Poetry Center in February. CUE Editions will publish her still-untitled first chapbook later this winter.

The new issue of Coconut is up.

Happy Thanksgiving!

Saturday, November 22, 2008

An Inauguration of a Different Kind





CUE Editions' inaugural chapbook, Mark Horosky's Let It Be Nearby (in a limited edition of 100 copies), is finished and will have its debut Friday, December 5 at Sommer Browning's Multifarious Array reading at Pete's Candy Store in Williamsburg, Brooklyn. If you can't make the Brooklyn reading, you'll be able to purchase a copy of LIBN via Pay-Pal. Check back here in a few weeks for more information.

Friday, November 21, 2008

One Gore for the Road

If you're like me you can't stand Sarah Palin, you want her to go away, disappear. But this footage is just too good. Watch it all the way through and thank dear god she's not our VP.



Happy Thanksgiving, Everyone!

Saturday, November 15, 2008

New From Parlor Press

Parlor Press: Free Verse Editions is out with its second poetry collection for 2008, Carolyn Guinzio's stunning new collection Quarry. Here's what the literati are saying:

"Since at least the days of Horace, poets have found in nature, in the local flora and fauna, an invitation to observe, name, meditate and wonder. In QUARRY, Carolyn Guinzio's second collection, this tradition continues, in poems of tautly drawn, subtle eloquence. Her tone is somber, her pace gradual, as if, at any moment, something might happen to alter everything and toss the great endurance of life into ruin, or revelation: "A tremendous question hangs in the December sky." --Ann Lauterbach

"Good painters often talk of nameless colors. Brice Marden once told me he spent a month just mixing. The poems in QUARRY are full of strange,  nameless mixtures of words. The work is descriptive, but it wants "not to know." The poems seem from one region, but the prose poems and the stanzaic ones have such opposed opaque architectures. One voice, but a voice decisive and skeptical. Nothing pastel, but full of dramatic holes punched out. This is a difficult idiolect, and it is a lesson in not accepting either a simple naturalism or bald abstraction. The poems seem to me to be truth-telling, emotional, and fragile with sudden storms within. To pursue the analogy: Her secondaries are as piercing as other poets' primaries. --David Shapiro

"Like that of Thomas Hardy's, this is poetry that is too true to the sopping reality of things to ever resort to self-romanticism or to settle for the clever phrase. Instead, Guinzio has arranged her carefully resonant poems as a single, extended crystallization of insight and inscape that is centered upon, even as it permeates, the natural world. . . . These are beautiful poems. Reading them, one begins to weigh what it means to live, with patience and inside language, on the face of this (still) living earth. --Tony Tost

Read poems from Quarry in Blackbird, Tarpaulin Sky, 42Opus, Memorious, Linebreak, and Gutcult.

Buy it here.

Monday, November 10, 2008

You Know What the Numbers Are


Want to work in the Obama administration? The president-elect's website.

A piece on Joan Miro.

A new first-book interview with Brian Barker.

On poetry and politics.

Monday, November 03, 2008